rosenberg gallery at goucher college

Dan Dudrow: PRESENT and Past
1/2008
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ID
10/2007
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Char Brooks and Annie Waldrop
8/2007
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ACCUMULATION: An Artscape Exhibition
7/2007
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Juried Student Showcase 2007
5/2007
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Collaborate Now
3/2007
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Wishful Re-thinking
1/2007
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Laminae
10/2006
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Their Eyes Are Watching You::Artwork inspired by Surveillance
8/2006
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Spoon Popkin
3/2006
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Adornment?
1/2006
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Philip Lindsey and Karen Warshal
10/2005
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Signals/Senales
8/2005
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ROY G BIV
7/2005
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Student Art Showcase
5/2005
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4 The Wall
3/2005
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Will and Grace
2/2005
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Inward Gazes: Creating Pieces of the Identity Puzzle
11/2004
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TERRITORIES
9/2004
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Generally, Longer Than It Is Wide
7/2004
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Student Art Showcase
5/2004
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Lois Tarlow: Paintings, Prints and Drawings 1996-2004
3/2004
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Moving Walls, Access Art and Believers are Dreamkeepers
1/2004
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Almost Happy
10/2003
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Faculty Exhibition 2003
8/2003
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The Weight of a Moment
7/2003
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Baltimore County High School Student Exhibit
5/2003
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Goucher Student Art Showcase
5/2003
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Matthew McConville

and Brian McCutcheon

3/2003
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Wrestling
1/2003
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Sally Kearsley: A Retrospective
10/2002
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Ken Royster: Praise
8/2002
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Howie Lee Weiss: Variations
3/2002
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Pairings: Stacey MacKenna and Robert Salazar/Laurie Snyder and John Wood
1/2002
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Perpendicular Dialogues
10/2001
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Exactitude and Lightness
8/2001
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Transpositions
3/2001
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Imitation of Life: The Paintings of John Hull
1/2001
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Obsession
10/2000
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Stone and Spirit: Building Goucher College, 1885-1954
8/2000
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Goucher Student Art Showcase 05/07/2000
5/2000
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Conversation Piece
3/2000
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Installation and Drawings: The Luminosity of Space
1/2000
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Portrait/Identity
10/1999
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Man, Horse, Landscape
8/1999
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Goucher Student Art Showcase 05/06/1999
5/1999
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Diane Kuthy and Marcia Wolfson Ray
3/1999
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Photography by Laura Burns and Sasha Bezzubov
1/1999
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Barry Nemett: a 30 Year Retrospective
10/1998
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Light and Shadow: D.S. Bakker and Ricardo Hoegg
8/1998
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Showcase: Goucher Students in the Visual Arts
5/1998
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Space ÷ 3
3/1998
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Eloise Hampton Wilson: Wood Engravings from the Thirties and Forties
1/1998
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Artist as Collector
10/1997
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Ethnography of No Place
3/24/2008 to 5/2/2008

Ethnography of No Place, an exhibit that examines geographical places and psychological spaces, will be presented in Goucher College's Rosenberg Gallery from Monday, March 24, through Friday, May 2. This exhibit, which is free and open to the public, can be viewed weekdays from 9 a.m. to 5 p.m. and during scheduled events in Kraushaar Auditorium. An artists' reception will be held Friday, April 11, at 6 p.m. in Rosenberg Gallery. Call 410-337-6477 for more information. Leah Bailis' sculptures, Dawn Gavin's maps, Courtney Jordan's drawings, Bridget Sue Lambert's photographs, Isabel Manalo's paintings, Aili Schmeltz's paintings and installations, and Kazue Taguchi's installations are fragments of invented landscapes and environments that stem from each artist's response to the thoughts of placelessness in contemporary culture. Bailis constructs inaccessible spaces - a chain-link fence, a windowless façade - that have surfaces that separate public and private spaces. These barriers represent the tension between what is judged worthy of protection and the perceived danger or risk from which the space is being protected. Gavin uses maps and related documents to construct both real and imagined terrains and cartographic landscapes that exist at the threshold between the visible and the invisible. She is interested in occupying the liminal space between places - the area where boundaries dissolve - and negotiating this alternative position. Jordan's drawings in ink and graphite on mylar are her interpretations of architectural forms and structures. Her works include details found in buildings and urban industrial infrastructures that she feels reflect social and emotional values. Using a 30-year-old dollhouse built by her grandfather, Lambert stages and photographs vignettes of domesticity, tension, loss, and presence vs. absence. She explores the physical and psychological spaces that people inhabit in relationships and how those spaces are disrupted or abandoned when a relationship ends. Manalo translates photographs into paintings to create layers of distance and melancholy, often touching on the psychology of domestic space. Her work explores the relationship between her two young children and interior and exterior spaces. In her paintings, the environment surrounding her children becomes subsumed by a negative white space to create a picture where the positive is emerging from that light. Schmeltz's installations examine the ideas of comfort, contradictions, and connections of daily life. Using mundane materials, she creates room-sized installations that respond to the space while simultaneously referencing architecture and the landscape. Taguchi's installations are made from reflective materials such as mylar and mirrors. When light hits the surface, reflections and shadows interplay to create magical landscapes in a built environment.

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