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From Conversations: Reynolds Price and William Ray (The MVC Bulletin, Memphis State University, Memphis, Tennessee, 1976

A novel is, alas-- for better or worse, a function of experience and maturity.  Why are there almost no good novels written by people in their early twenties or in their teens? There are almost none.  It's one of the great problems of teaching writing to young people-- you find talented young people, eighteen or nineteen   years old; you try to teach them some skills; you try to teach them some awareness, some craft and discipline.  But you are also aware that you're getting them all dressed up with no place to go for about ten years, because they've got to wait until they've settled into their own characters and into their own lives, until they know something in their lives; and then their good fiction, their good narrative, will begin to come out of them in their middle and late twenties-- I believe often not until their late thirties.

Fiction by Reynolds Price:

A Long and Happy Life

A Generous Man

Love and Work

The Promise of Rest

Kate Vaiden

Roxanna Slade

The Tongues of Angels

Back Before Day

Blue Calhoun

The Collected Stories

The Honest Account of a Memorable Life : An Apocryphal Gospel

The Surface of Earth

The Promise of Rest

Reynolds Price

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at Goucher College, October 25, 2000

Teaching Notes on Reynolds Price: Learning a Trade, "A Chain of Love"

 

Published in 1957, Reynold's Price's first novel, A Long and Happy Life, was the winner of the William Faulkner Award.  Thirty years later, his novel Kate Vaiden won the National Critics Circle Award.  The later novel marked in some ways a return to the roots of the first: the small-town and country Southern society which Price, along with Eudora Welty and others, has claimed as his literary milieu.   He has rendered this world, and the changes it has undergone since World War II, with a fidelity, clarity, and lyrical nuance which few living writers can rival.

In the first four decades of his career, Price has published several dozen titles in many different genres: fiction, poetry, drama, and several categories of nonfiction.  Most recently, he has become a well-known commentator on the Scriptures and has published several titles in this field.  This focus on Religion was inspired in part by a brush with death by cancer.  Partially paralyzed by a spinal tumor, he believes that his life was saved, and his illness healed, by divine intervention.   His book about this experience, A Whole New Life : An Illness and a Healing , won him a whole new audience when it first appeared in 1994-- and one of best-selling proportions.

A Rhodes Scholar in the mid-fifties, Reynolds Price is as distinguished in the academic world as in literary circles.  For most of his career he has taught at Duke University, where he now holds the James B. Duke Professorship of English.   Among the many well-known writers who began their careers as  his students at Duke are Fred Chappell, Taghi Modaressi, and Ann Tyler.  Forty years worth of Price's working notes and extraordinarily meticulous observations on the craft of writing have recently been collected in Learning a Trade : A Craftsman's Notebooks, 1955-1997.

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Source Images for A Long and Happy Life

Conversation with Reynolds Price

(interview by Marsha Barber)

A Reynolds Price Bibliography by Stuart Wright

Reynolds Price (article by David Templeton)

REYNOLDS PRICE (fanpage)

"Strengthened by a Pale Green Light"

(essay by Reynolds Price)

From Learning a Trade : A Craftsman's Notebooks, 1955-1997

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...I felt my now-thick notebook shift beneath the weight of my daily stints of advancing the longest narrative I'd attempted.  The many strata of speculations about character, plot, incident, point of view, and dialogue rapidly yielded their contents to the texture of my story as the months clocked by.  But the ongoing process likewise transformed itself; the notes I made while actually writing the story largely ceased being random thoughts and snatches of the dialogue.
     They became instead a handy debating room in which I could argue with myself about the advantages of one kind of narrative procedure over and against perhaps several others that seemed equally tempting.  The further I went in the story (and the entire process with that first long effort would take nearly three years)-- the further I drifted from rereading my early notations and following their prescriptions.   In fact, by the time I finished the story-- which had become an unforeseen novel-- I'd discovered a whole new function for my notes.  They'd become not only my means for conscious thinking about the story and its strategies (like many men and women, I suppose, I'm very poor at sitting quietly in a chair and thinking my abstractly through a maze), even more crucially I slowly realized that the notes were my means for persuading my unconscious mind to concern itself all day and all night with a project I couldn't attend to constantly.   (from
Learning a Trade : A Craftsman's Notebooks, 1955-1997 ) p. xvi

...(the largest problem most young writers face is how to pursue a full-time but solitary job with no looming taskmaster in sight; most cases of writers' block, early or late, are the result of a failure to understand one's personal creative metabolism and how to maintain it, even-keeled, for long periods of time in the absence of any exterior goad).  (from Learning a Trade : A Craftsman's Notebooks, 1955-1997 ) p. xii

(More on unconscious mind in writing)

Poetry, drama, and nonfiction by Reynolds Price

The Collected Poems

Full Moon and Other Plays

Immediate Family

A Whole New Life : An Illness and a Healing

Letter to a Man in the Fire : Does God Exist and Does He Care?

Three Gospels : The Good News According to Mark, the Good News According to John, an Honest Account of a Memorable Life

Learning a Trade : A Craftsman's Notebooks, 1955-1997

A Common Room : Essays 1954-1987




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